|
"Vali is a composer of wonderful clarity, precision and effectiveness."
Mark Kenny,Tribune-Review, April 20, 1999. |
| "Leave
all conception of belly dancing and new-age syncretism at the door in
Reza Vali's "Persian Folklore" a thoughtful collection of compositions
by an artist who has been cited as an Iranian Bartók in bringing a deep
understanding of his native folk music in consort with Western classical
techniques." Phillip George, 20th Century Music , March 1999. |
| "Reza
Vali creates a music that appeals to the entire world." Now , February 15-21, 1996. |
| "Vali's
eclectic craft makes him a unique voice on the contemporary music
scene." Karl Stark, The Syracuse Herald American , January 7, 1996. |
| "Had Bela
Bartók gathered folk material from Persia, his string quartets might
have turned out something like Reza Vali's Folk Songs for
string quartet." Karl Stark, The Syracuse Herald American , January 7, 1996. |
|
"Vali's pieces are haunting. They also
are full of pungent sonorities, and ingenious combinations." |
|
"Song
by Iranian Reza Vali is an intriguing oriental flavored voice and
instrument duet for a single player, one of the most effective
singing/playing wind pieces I've come across." |
| "Vali's
String Quartet No. 2 is a bold, uncompromising emotional journey with
motivic material that undergo striking transformation...Every gestures
in this dark, violent piece serves to advance the expressive content." Donald Rosenberg, The Pittsburgh Press , April 8, 1992. |
|
"Reza Vali's ear-opening 'Persian
Folklore"... dominated the event, as a lion dominates a landscape of
zebras. Urgent, cogent and tautly dramatic." |
|
"Reza Vali's 'Seven Persian Folk Songs'
ranged in mood from childlike simplicity to near terrifying force, in a
highly successful blend of Western music with Vali's native Persian folk
music." |
|
"'Seven Persian Folk Songs' by Reza Vali
is a memorable song cycle, with sensuous and beautiful sonorities as
well as brutal forcefulness." |
|
"'Four Persian Folk Songs' by Reza Vali
were exotic gems... The songs made up a balanced set- the plaintive
chant wail of the voice over steady drip of piano in 'Rain,' the lusty
vocals over raucous motoric piano dance of 'Kurdish Folk Song,' the
haunting sadness of 'Lullaby,' beautifully sustained, and the harsh
mockery shrill anger and untamed percussion of 'Folk Song from Luristan." |
| "Reza
Vali's 'Vazena' was not only a fascinating study of color, the majority
of the timbres being bell-like or tinkly, but also had rich substance...
The calm but mournful expressiveness, like the passing of events on the
breath of wind, makes the work all the more compelling." Market Square : review of Vazena , May 11, 1983. |